the following year, which is considered by many to be his best album. It peaked at #1 on the Billboard

"You feel like you’re right there in front of the stage. The audience is going nuts, too – the whole thing is so exciting. I played air guitar to this one all the time before I actually started playing." 

But the result was one of the first live albums to receive the kind of acclaim only the best studio albums had before, thereby kick-starting a taste for live albums that would flourish throughout the subsequent decade.

Of course it didn't end as expected – the band's enormo-show at Knebworth later that summer would be their last with Freddie Mercury – and while the Live at Wembley '86

Collins said a local artist gaining a support slot for a major artist was seen as career-defining, but there had been pushback on the idea from large live music companies like Live Nation, which sign artists and their support acts onto lucrative global tours.

shows why. Nugent goes crazy, his band toughen out the sound, there’s a sense of self-indulgence that actually works to the album's advantage. There are also truly some stunning moments, including Nugent rapping like a mad-eyed Del Boy, and a rendition of Great White Buffalo

This is the album that let the world outside Detroit know they were late to the party but was also forgiving enough to invite them in.

, followed by the untimely death of beloved manager Brian Epstein in 1967. They proceeded with the movie and accompanying soundtrack,

"You've got an international company that makes billions of dollars … taking million-dollar grants from governments to put on festivals, which they also profit from."

The sitio, which launches on Tuesday, aims to capture the original independent spirit of Pitchfork while tuning songs out the stan armies that worship huge artists.

"But there are always factors that come into it that actually make it rather difficult sometimes for the promoters, for those international teams."

All four members had successful solo careers. Lennon was one of the foremost musicians of the early 1970s, and Harrison’s

 by screaming into the mic. Ditto the album’s title: the battle cry for a campaign of ransacking and pillage.

"What we want to do is first of all educate them, teach them about our market and say, you can't just have a cookie-cutter approach across the world."